At Marriage Story‘s TIFF premiere, the audience applauded the Netflix logo; a night later, the same happened for A24 at Uncut Gems. The latter makes slightly more sense--rightly or wrongly (no comment), A24 has coherent brand cachet in positioning itself as Art-Fixated rather than purely profit-motivated--but in both cases I felt like I was going mad, and even more so when I heard that the first question for The Lighthouse‘s cast and crew at their first screening was why is A24 is so very sp...
TIFF 2019, Last Days: Uncut Gems, Atlantis, Jallikattu, This Action Lies
Filmmaker Magazine - 16 Sep 2019 23:44
At Marriage Story‘s TIFF premiere, the audience applauded the Netflix logo; a night later, the same happened for A24 at Uncut Gems. The latter makes slightly more sense--rightly or wrongly (no comment), A24 has coherent brand cachet in positioning itself as Art-Fixated rather than purely profit-motivated--but in both cases I felt like I was going mad, and even more so when I heard that the first question for The Lighthouse‘s cast and crew at their first screening was why is A24 is so very sp...
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